Tiger Portrait drawing shouldn’t be hard read those step to draw

Tiger Portrait drawing shouldn't be hard read those step to draw

Tiger Portrait Drawing

I describe the progression of a drawing step by step, the techniques used in Tiger portrait drawing, and how I felt when we made the drawing. In the beginning, with each new achievement. However, I have no idea of ​​the result, where I am going, or how to get there. I’m going, that’s all! We get a good idea of ​​what the drawing will look like, of course, but when it comes to realization, we often take a different path.

For this reason, each picture is a new challenge, a kind of “problem” to solve, and what is beautiful about this art is that we do not know in advance where it will lead us! That is one of the facts that attract me the most to draw. A unique final vision of the world around us.”Learn how to draw spiderman from our website Easy and quick for kids 

Material Needed

The material used: 

– Faber Castel and Stabilo dry pastel pencils

– Black Stone pencil 

– Pierre Blanche pencil

– Bread crumb eraser (bottom left)

– Dark gray Paper Card 50×65 cm

Stage 1 Beginning

First strokes of white chalk pencils to lay down the structure of the drawing. An important step because, once laid, the white (or black) stone is very difficult to erase, even impossible! Although the emphasis will be on the look of the animal. It is important to have the model at the drawing level to avoid losing information along the way.

Step 2

I start with the left eye (in normal times, it’s not good to do that, it’s usually the last step, but; in this drawing. Tiger portrait drawing the look that matters most to me everything will be fine. Build around it. I start with very light colors.

Step 3

I continue the eye by looking for reflections and shades of the iris. That discovered that tigers have yellow eyes with a hint of green Tiger portrait drawing! So, I go down a little on the muzzle. We use a whole range of brown pastels: from straw yellow to lemon yellow, from yellow ocher to brick red ocher for now. I do not press too hard on the pencils and leave a little show through the paper. Jet posting 

Step 4

That was the beginning of the right eye and part of the muzzle. These are getting clearer. It can be a little more “firm” in the touches of color. In some places, I let the paper “fit” into the drawing.

Step 5

I continue on the look. I am looking for life, an important stage that conditions the rest of the drawing. However, a step that the technique used makes a little stressful. I have no room for mistakes. So, I would rather stay focused and not be too greedy!

Step 6

I leave the tiger’s eyes for now and start expanding my action to the rest of the animal. What I especially like about this drawing are the contrasts that emerge little by little. However, I am for the moment, but I must say that I have a lot of fun making this drawing!

Step 7 Resumption of the drawing

This time, I worked the right part of the head and cheek and sketched the long hairs forming the cheeks. However, I will voluntarily leave this part of the head slightly supported so that our gaze remains attracted by the tiger’s eyes. I hesitate on the right ear. Should I draw it or not? 

Step 8

I decide to trust my instincts. I love the pattern on the back of the tiger ear. This little white spot is only visible when he lays his ears back as a warning. Tiger portrait drawing That gives him an even more ferocious look and reflects well the image of this charming animal. A small general view of the worktop with my brand new beautiful easel!

Stage 9 Final

I continue on the left ear. So don’t draw the ear. I prefer to suggest volumes Tiger portrait drawing. Before I started, I cut out a paper model of an erect “ear.” A prone ear to decide on the orientation of this left ear. I put it in front of my drawing to see what it might. However, A little trick that allows you to avoid doing stupid things or having regrets! I end with the vibrissae. However, it was not an easy step because you must not miss it! So I deliberately leave areas without touches of pastels to let the paper “enter” into the design.

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